Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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OSTADE, Adriaen Jansz. van
Carousing Peasants in a Tavern

ID: 43567

OSTADE, Adriaen Jansz. van Carousing Peasants in a Tavern
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OSTADE, Adriaen Jansz. van Carousing Peasants in a Tavern


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OSTADE, Adriaen Jansz. van

Dutch painter (b. 1610, Haarlem, d. 1685, Haarlem).   Related Paintings of OSTADE, Adriaen Jansz. van :. | Interior of a Tavern with Violin Player sg | Interior with a Peasant Family sg | Barber Extracting of Tooth sg | Cutting the Feather ag | Piping and Drinking in the Tavern ag |
Related Artists:
CLEVE, Cornelis van
Flemish painter, Antwerp school (b. 1520, Antwerpen, d. after 1570, Antwerpen).
Per Wilhelm Cedergren
painted Winter picture from Dalaro Skans in 1856
Raimundo de Madrazo y Garreta
Spanish realist Painter , 1841-1920 Son of Federico de Madrazo y K?ntz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with L?on Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jos? Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting (e.g. Arrival in Spain of the Body of the Apostle St James, 1858, and Ataulfo, 1860) for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta's most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently,






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